Friday, January 30, 2015

Sundance 2015 Cinematographers on How They Captured Their Most Difficult Shots

Good article on how some DP's came to shoot some scenes. For example:

"There is a montage in the middle of the movie where all four of our characters are in a swimming pool. We knew we wanted to have some underwater shots as part of this montage, but I was worried about the time and resources it would cost for us to put a camera and operator in the pool for just a couple of shots. I ended up having the idea to put a GoPro on an old $10 monopod and just dunking it in the water and following the action around. This was difficult because I couldn’t monitor the camera while shooting. I was just hoping for the best and luckily, it worked out great." -John Guleserian, "The Overnight"

For full article:
http://www.indiewire.com/article/sundance-2015-cinematographers-on-how-they-captured-their-most-difficult-shots-20150128

Thursday, January 29, 2015

Hal Ashby on winning the Oscar

Hal's take on winning an Oscar for best editor for In The Heat of the Night --

"All awards are kind of strange, because if you go along with the idea of winning, what you're basically doing is hoping someone else will lose."

Wednesday, January 28, 2015

YOUR FAVORITE MOVIES WERE FILMED AT THESE L.A. RESTAURANTS AND BARS

INT. “THE DRESDEN ROOM” 
The SWINGERS lounge in a booth against the cork-paneled walls sipping cocktails. They watch Marty and Elayne, the resident lounge act, perform an off-key cover of “Staying Alive” on synth and upright bass. The '70s are alive and well here, but they’re starting to yellow around the edges.
-From Swingers by Jon Favreau
Perhaps no other film depicts the reality of young people chasing the Hollywood dream quite like 1996’s Swingers. The independent comedy known for coining such pop culture phrases as “You’re so money, and you don’t even know it,” and “Vegas, baby, Vegas!,” rejuvenated swing dancing and showed us what it was like for 20-somethings trying to establish themselves in the sprawling metropolis of L.A.
Mike, a struggling actor and comedian, played by Jon Favreau (who also wrote Swingers), has recently moved from New York to Los Angeles to try to make it in Hollywood. The sacrifice was moving away from his family and breaking up with his longtime girlfriend back in Queens. Unable to move on from the breakup, Mike is encouraged by his L.A. friends, including fast-talking actor Trent, played by Vince Vaughn, to get back out there and realize how “money” he is.
Doug Liman, the director of Swingers as well as blockbusters The Bourne Identity and Edge of Tomorrow, tells the Weekly that because L.A. is made up of so many transplants, friends become family. “Everybody, including me, moved there from somewhere else,” says Liman, who now lives in New York. “I think there’s something that’s kind of special that happens socially when you have all these people who aren’t tied down, are away from home. Everybody has left their family behind, and suddenly Thanksgiving isn’t with grandparents and distant cousins; Thanksgiving is with a group of friends.”
Liman met Favreau, appropriately, because of a girl at a party. Favreau famously sold the screenplay of Swingers to his new friend for $1.
Swingers is mainly set around the nightlife of Hollywood – bars, parties in the hills, 24-hour coffee shops. “I’m somebody who maybe doesn’t appreciate L.A. by day, but once the sun goes down I think it’s a beautiful city,” Liman says.
A number of the places where Liman and Favreau hung out together, forming their friendship, were written into Swingers. An establishment where the struggling actor and director spent many a Wednesday evening is the only nightspot featured in the film that is not around today: The Derby, one of L.A.’s iconic live-music and dancing venues, located on the corner of Los Feliz Boulevard and Hillhurst Avenue, closed in 2009. Favreau and Liman would often go there on “swing night” to hear bands such as Royal Crown Revue or Big Bad Voodoo Daddy. In the late '90s, Swingers almost singlehandedly brought swing dancing back onto the scene in a big way, and the film’s two-volume soundtrack went gold.
For full article:

Friday, January 23, 2015

The Screenwriters Choice Awards

The Screenwriters Choice Awards recognizes the best screenplays and teleplays of the year. Unlike any other industry award, the Screenwriters Choice Awards allow you, a registered Final Draft user, to cast your votes for the talent behind the best scripts and teleplays of the year.
Voting for the 2014 Awards is now open! Click the "Vote Now" button below to cast your vote.

Power to the people.



Wednesday, January 21, 2015

Amazon is getting into the movie business

Amazon wants a chunk of Hollywood's business, too.
After a string of successes in television—including multiple Golden Globe wins forTransparent—the e-commerce company wants to produce 12 movies per year. The movies will debut in theaters, but they'll also be available on Prime Instant Video in the United States only four to eight weeks after they're released in theaters, Amazon announced on Monday. That's at least 30 weeks faster than the average movie.
Amazon's movie division, which film producer Ted Hope will head, will get to work this year.
Hope cofounded the Good Machine production company, known for films such asCrouching Tiger, Hidden Dragon, which was sold to Universal Pictures in 2002.

Monday, January 19, 2015

low-cost digital marketing techniques

History Buff, Buy Our Movie: Indie Film Team Tries the Direct Approach